This has been on hiatus for a long time, but no more! I really liked doing this, and based on responses here and via email I think others liked it too. I’m revamping it a little bit to make it more sustainable and hopefully improve the interactivity. I’m always a fan of my own ramblings, and emails are nice, but by gods, I want a crafty party on my blog!
For those of you who don’t remember or never knew, here’s what we’re doing: Once a month we’re going to take a story and figure out why it’s good. Obviously we’ll be filtering for good stories. Preference will be given to stories available for free online. Then, on Craft Crucible Day, I’ll put up an essay where I tease apart one or another aspect of the craft of the story, how it’s used, and why it works. There’s a whole category here for previous CC posts. Future ones will be like that, too.
Everybody else is encouraged to argue with me in comments, propose their own theories, or even do their own analysis elsewhere and drop a link here to let me know about it.
For me, I don’t see these as a “How to” so much as a “How did.” In other words, this isn’t an instruction manual for writers, but an extended notes section for readers. Writers are cool, but I’m a mercenary creature and ultimately need readers more. So this is for you, lovely reading folk. Let’s stare at how the sausage gets made.
Here’s our upcoming schedule:
March 16 – “If You Were a Dinosaur, My Love” by Rachel Swirsky (Apex Magazine, Mar-2013)
April 13 – “The Ink Readers of Doi Saket” by Thomas Olde Heuvelt (Tor.com, 04-2013)
May 15 – “Selkie Stories Are for Losers” by Sofia Samatar (Strange Horizons, Jan-2013)
June 12 – “The Water That Falls on You from Nowhere” by John Chu (Tor.com, 02-2013)
If that lineup looks familiar to you, that’s probably because I stole the short story Hugo ballot for 2014. What can I say, all the nominees were published in online markets. It made my life easy.
Let me know if there’s a story you’re dying to dissect or dig into, and we’ll add it to the lineup. Also, feel free to let me know you’ve melted into squishy glee at the prospect of this coming back. Just, you know, don’t get so squishy that you ruin your keyboard, k?